This is the most controversial post I have ever written in ten years of blogging. I wrote it because I was very angry at a specific incident. Not meant as a criticism of feminism, so much as of a certain way of operationalizing feminism. A few days ago, in response to a discussion of sexual harassment at MIT, Aaronson reluctantly opened up about his experience as a young man:
In the library, Caravaggio accidentally nudges a fuse box off a counter. Kip knows he has made an impression on Caravaggio, and knows that one day, the thief will be kind to an East Indian in return and will think of Kip. Caravaggio tells a story about one of his burglaries that was foiled by a family of Indians.
Hana partly believes this story, as she remembers that Caravaggio "was constantly diverted by the human element during burglaries. He was very cold, nearly twenty feet down a pit in muddy water with little sunlight to warm him.
His fingers were so cold that they lost their agility and became almost useless. His body was so close to the bomb that he could feel the temperature changes.
He describes in detail how he first tried to defuse the bomb, made a mistake, and then finally succeeded in neutralizing it.
They pulled him out of the pit after the bomb was dead, and his body was almost frozen from the liquid oxygen he spilled onto himself in his first attempts. When he got out of the pit, he realized there was a crowd around, far too close to the bomb.
They would have been destroyed if the bomb had exploded. But all Kip could think about was how he was not frightened in the pit, just angry at his mistake.
Only Hardy, his next in command, still kept him human. Hana and Kip sit out in the sun after Kip washes his long hair. She enjoys gazing at his body and imagining his quiet civilization. He tells her how his brother thinks he is foolish for trusting the English. His brother believes that Asia is not a free continent and the English will never give any credit to the Sikhs for their help in the war.
On this point, Kip disagrees with his brother. Hana thinks that at night, when Kip lets down his hair, "he is once more in another constellation. He will never take a moment to consider himself, because he is the only thing that is certainly safe.
He only sees what he needs to see.
The four in the villa are accustomed to rising at daybreak and eating dinner with the last available light. This is a game they have arranged to play. It is completely dark, and Kip sneaks through the kitchen into the enclosed courtyard to hide in a well, waiting for Hana.
He has swept the library for mines for a week, so he knows that this room, at least, is completely safe. Hana enters the library with a small light on her arm.
She goes to look for one of the few English books among the many Italian ones. She finds what she is looking for and lies down on the couch to read the book.
Caravaggio knows Hana is there. He thinks how much more he loves her now that she is an adult. When she was little, he used to wonder what she would be like, but now he knows that she has consciously decided how her life will be shaped, and he feels happy to be a part of that. Kip, from his vantage point at the well, also sees Hana lying on the couch.In the year since President Trump’s inauguration, Washington Post photographers set out to explore what unites Americans, through portraiture and audio interviews.
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If you go to the website of the restaurant L’Huîtrière (3, rue des Chats Bossus, Lille) and click on ‘translate’, the zealous automaton you have stirred up will instantly render everything into English, including the address.
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